Objectives: To establish an integrated instructional system, this center strives to construct an professional platform for research and creation via material exploration and application of new concepts. Director: WANG Xiongfe Find More: Website
Objectives: The main tasks of this center are to study and systematise the basic theories on cultural relics; to explore and establish the educational system of cultural relics in an art school; and to participate in the reification of the tactics and norms so as to protect and manage cultural relics. Director: Zheng Juxin
Objectives: To research on inter-media art theory and practice with qualities including sophisticated expertise, flexibility on a wide range of application and creative study. To comprehend cultural structure and to master professional knowledge, its research abilities also includes curation, innovation, comprehensive analysis, etc. Director: Wu Meichun
Objectives: This center provides academic guidance and theoretical support of ancient Chinese calligraphy and seal creation for the teaching of calligraphy and seals; and further, to promote traditional Chinese culture and enhance the academic exchange and cooperation both domestic and abroad. Director: Han Tianyong
Objectives: Fashion & Textile Research Center(FTRC) of CAA was founded in 2007,which was born in the process of the strategic cooperation with Hangzhou Municipal Government and the developing of urban brand. As a platform focusing on the development of the national industry, design professionals, design education and research, FTRC will fully use the advantage of CAA on the area of humanities and history, disciplines distribution, international resources, teaching reso...
Objectives: This center intends to explore the multi-disciplinary and multi-perspective approaches to art education in the terms of philosophy, linguistics, cultural studies, sociology, communication, ethics, psychology, and economics in the present context of digitalisation. Director: Ge Jiafeng
Objectives: This is a new academic base for comprehensive research on social public cultural construction by theory of art and design based on the traditional visual culture studies. Director: Yang Qirui
Objectives: With a concept of experimentation, the Center is dedicated to local culture and vernacular features in the practice of architectonics. It places great emphasis on the dual consideration of the architectural connotation and return of craftsmanship. It empirically explores the interdisciplinary field of experimental architecture. Director: Wang Shu
Objectives: It is the task of the center to systematically study history of the Western art and the methodology, and take it as references for the further research on the development of Chinese art. The center translates famous works of Western art history, in order to study the cultural background of its historical development, especially the interaction of art history with general history and history of ideas; to verify the feasibility of applying Western theory to the h...
Objectives: In answer to the global development of visual culture, the center conducts its research in both visual culture and exhibition curation, with corporation with art sponsors, critics, artists and scholars, in order to analyse modes of art production and consumption. Director: Qiu Zhijie
Objectives: Upholding its position as a vanguard in tertiary calligraphy education, the center strives to become a core in the international exchanges of modern calligraphy by enhancing dialogues between calligraphy and contemporary art. Director: Wang Dongling
Objectives: The institute has attracted important thinkers and artists to study on the intersection of philosophy, poetics and art. The institute focuses on phenomenology and art creation, in order to formalise the methodology of contemporary painting and the academic theory of fine arts. Director: Sun Zhouxing, Jiao Xiaojian Find More: website
Objectives: The center aims to raise standards in the research of Chinese Art History by engaging in focused study of its foundational documents and principles and by translating good works of art-history and valuable historiographical findings from world wide. Director: Fan Jingzhong
Objectives: As a new humanities discipline, the center is envisaged to systematical study of the evaluation of art. New-style connoisseurs are integrated with interdisciplinary competence to meet the need of the art market. Director: Wu Gan and Lin Haizhong
China Academy of Art—Research Center of Chinese Watercolor Painting established at June 16th, 2000. It was approved by Number 35 (2000) document from China Academy of Art university. This center aims to develop and improve the career of Chinese watercolor painting, and enlarge the influence of it from China to abroad. The center includes the creative practice of watercolor painting, teaching, study of theory and the research projects based on textbooks. All of them are sup...
Objectives: This center focuses on revelling phenomenon and related issues of colour, and on proposing effective solutions from both theoretic and practical perspectives. Researches range from fundamental colour theory, construction of standard colour system, expressiveness of colour art, history of colour culture, colour aesthetics, fashion colour, colour marketing, colour design approach, colour construction and management and various aspects. Director: Song Jianm...
One of the common features of top universities is that they all have top-class museums. CAA has been striving to become one of them, and the “series of museums” is part of the plan. Since the establishment of art gallery in Nanshan campus, it has played an important role for teaching outcome demonstration, modern art development, as well as promoting cultural construction and higher education in arts. From 2011, under the strong support of the Zhejiang Provincial Governmen...
The Libraries of China Academy of Art rank among the top art libraries in China, which consist of Nanshan campus and Xiangshan campus libraries, with total floor area of approximately 14,050 square meters. They provide a variety of spaces for reading, learning, teaching and discussing. The total number of seats available is about 1,230. The collection of the library covers China and world arts from antiquity to the present, with a considerable number of books in li...
近日,由浙江省文化厅、浙江省音乐家协会、浙江省舞蹈家协会主办,宁波市新闻广电出版局承办的浙江省第10届音舞节在宁波圆满落幕。我院选送的作品共获兰花奖金奖2个、银奖5个、铜奖4个,其中二胡协奏曲《无极》、协奏曲《楼兰意象》荣获民族器乐类金奖,歌曲《望江阁》荣获声乐类银奖,小提琴、单簧管、钢琴三重奏《春醒》荣获西洋器乐类银奖,舞蹈《梦蝶飞舞》《山哈女》《浔山行》荣获舞蹈类银奖,歌曲《看你的眼》荣获声乐类铜奖,室内乐《旷野之声》、木管五重奏《班列飞驰》荣获西洋器乐类铜奖,舞蹈《滚滚男...
近日,由浙江省文化厅、浙江省音乐家协会、浙江省舞蹈家协会主办,宁波市新闻广电出版局承办的浙江省第10届音舞节在宁波圆满落幕。我院选送的作品共获兰花奖金奖2个、银奖5个、铜奖4个,其中二胡协奏曲《无极》、协奏曲《楼兰意象》荣获民族器乐类金奖,歌曲《望江阁》荣获声乐类银奖,小提琴、单簧管、钢琴三重奏《春醒》荣获西洋器乐类银奖,舞蹈《梦蝶飞舞》《山哈女》《浔山行》荣获舞蹈类银奖,歌曲《看你的眼》荣获声乐类铜奖,室内乐《旷野之声》、木管五重奏《班列飞驰》荣获西洋器乐类铜奖,舞蹈《滚滚男...